swimmingly.

yes sir, we're doing just that well.

we (the royal we) made quick work out of that little computer blip a few weeks ago and the movie is officially back in place. all the original scenes were restored by saturday morning and by the end of the day sunday, we'd mixed in the re-shoots and pick-ups as well.

and not to sound sickeningly positive, but i think the time off probably even did us some good. as we sat down recently with a potential post-production audio guru to watch the last tangible cut on tape, we started noticing things - places where it dragged and scenes to be jumbled up and just how fucking long are the opening credits supposed to be anyway... so, all that stuff that maybe we were too close to notice last time around is being worked on. we all feel supremely confident that this next cut will be pretty damn close to final. not quite final (what is final anyway?), but pretty damn close.

in musical new: ljb played for me a few bits of score that's he's working on and they sound fantastic! i'm very excited to see what he and mike johnson (who i believe will be tossing his musical hat into the mix at some point as well) and the inimitable dana bourland come up with for the final score. also, we've got official permission from hush records to use a few of their fantastic tracks including grave's modern 'love's a killer', blanket music's cover of 'i take on your days', and our own re-mixes of super xx man's 'garage apartment' and toothfairy's 'sorry' (as featured in the trailer). also also: the dazzling strangers, who are both dazzling and strange, have granted us license to their strangly dazzling track, 'petey libertine' in the film. exciting stuff!

stay tuned for so much more...
mtk